There are many dedicated sites and communities that gather film developing recipes* but this is going to be my personal film dev library. Please free to comment below.
I’m listing some of the (black and white) developing recipes I’ve used, categorized by the film type. I’m also listing some of the interesting recipes that I’ve found during my internet crusades.
[Film type, box ISO speed @ shooting speed | developer and dilution | dev time | temperature | additional comments]
Kodak Tri-X
Kodak Tri-X 400 | Rodinal 1+50 | 13 min | 20°C | good contrast and grainy results as expected
Kodak Tri-X 400 @ 400-800 | Kodak D-76 1+1 | 22°C / 20°C | 8 min / 10 min | ok results, not so contrasty
Kodak Tri-X 400 @ 400-800 | Kodak D-76 1+1 | 21°C / 20°C | 9.5 min / 10.25 min | ok results
Kodak T-Max
Kodak T-Max 400 @ 1600 | Kodak D-76 1+1 | 18.5 min | 20°C | good results, very usable recipe
Kodak T-Max 400 @ 1600 | Rodinal 1+25 | 12 min | 20°C | one slow inversion per minute; very very nice results, amazingly small grain (originally by Jock)
Kodak T-Max 400 @ 800 | Rodinal 1+100 | 1 h stand | 20°C | grainy results, there must be a better way to push T-Max 400
Kodak T-Max 400 @ 400-800 | Kodak D-76 1+1 | 10 min | 22°C | very nice results, must be tried again
Kodak T-Max 400 | Kodak D-76 1+1 | 12,5 min | 20°C | dev time from D-76 instructions, okay grain, in my opinion lacks contrast
Kodak T-Max 100 | Kodak D-76 1+1 | 10 min | 22°C | must be used again to say more
Ilford HP5+
Ilford HP5+ 400 @ 3200 | Rodinal 1+25 | 18 min | 20°C | gentle inversion every 60 seconds, contrasty but nice push results
Ilford HP5+ 400 @ 800 | Rodinal 1+50 | 16 min | 20°C | gentle agitation every 45 seconds, strong pushed results
Ilford HP5+ 400 | Rodinal 1+50 | 11 min | 20°C | nice results, must be used again to say more
Ilford FP4+
Ilford FP4+ 125 @ 400| Rodinal 1+50 | 30 min | 20°C | very nice results with light agitation (30 seconds and twice every 45 seconds)
Ilford FP4+ 125 | Rodinal 1+50 | 16 min | 20°C | nice constrasty results but the film cannot be under exposed
Ilford FP4+ 125 | Rodinal 1+50 | 12,25 min | 22°C | nice constrasty results
Ilford FP4+ 125 | Kodak HC-110 B | 9 min | 20°C | one inversion every minute, really nice dark tones, even contrast
Fuji Neopan
Fuji Neopan 400 | Rodinal 1+50 | 11 min | 20°C | nice results, nice contrast
Fuji Neopan 400 | Rodinal 1+25 | 6 min | 20°C | small grain, nice flat negs for scanning
Fuji Neopan 400 | Rodinal 1+100 | 1 h ständi | 20°C | very grainy, ugly grainy, won’t use again
Rollei Retro
Rollei Retro 100 | Kodak D-76 1+1 | 13,5 min | 20°C | very nice results
I want to try
Kodak Tri-X 400 @ 1600 | Rodinal 1+100 | 1 h semi stand | 20°C | two inversions every 10 minutes (rmho)
Kodak Tri-X 400 | Rodinal 1+100 | 1 h stand | 20°C | (rmho)
Rollei Retro 100 @ 400 | Rodinal 1+50 | 29 min | 20°C | two stop push for a cheap film, must be tested (Jess P.C.)
Rollei Retro 100 | Kodak D-76 stock | 6,5 min | 24°C | (mblomqvist)
Rollei Pan 25 | Rodinal 1+50 | 11 min | 20°C | (ikusan)
Fuji Neopan Acros 100 | Rodinal 1:90 | 17 minutes | 20°C | (Greg Nissen)
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*) one of the most well known database is The Massive Dev Chart and another one is FilmDev which can be integrated to Flickr.


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Try:
Rollei Retro 100 @ 160 in Rodinal 1:50 for 15 mins. Very gentle (half invert and twist) agitation every minute.
Great tonal range, ideal for scanning.
I can highly recommend: Kodak Tri-X 400 | Rodinal 1+100 | 1 h stand | 20°C. After a few rolls I’ve changed my time down to 50mins.
Thanks for the tip. I will try it sometime. How do you shoot the Tri-X 400? Over, under or at box speed?
HI,
what kind of agitation did you use with this combination:
Ilford HP5+ 400 | Rodinal 1+50 | 11 min | 20°C | nice results, must be used again to say more
Hi. I don’t recall exactly but it must have been something very simple. I have a few ways to agitate so it probably was one of the following:
30s in the beginning and then once every 30 seconds, or
30s in the beginning and then twice every 60 seconds, or
30s in the beginning and then 10s every 60 seconds.
I have not seen big difference between the methods (but I’m not an expert). I usually tend to agitate slowly and gently.
ok, thanks
Such a great website !
Keep it coming
A very cool website. I found you on my preparation for my first B&W film development at home.
Thanks for the info.